The Dalmore story began in 1839 with Alexander Matheson who lived in the Highlands of Northern Scotland. Matheson found the rich peat and pure water sources of the Highlands to be the makings of a perfect whisky. He built a distillery in the area and produced small batches until 1886, when the Mackenzie family acquired his operation. When a member of the Mackenzie family risked his own life to save Scotland’s ruler, King Alexander III, from a charging stag, the grateful king offered a token of his appreciation by bequeathing the stag to the Mackenzie family as a symbol of valor and courage. And more than 130 years later, the stag head still appears on every bottle of The Dalmore. Today, Dalmore distillery has ten stone warehouses and eight pot-stills, several which date back to the late 1800s. Much of the distillery burned down during World War I while occupied by the U.S. Navy, but production resumed in 1922. The production process is meticulous and includes double distillations in copper pot-stills and aging in white oak and sherry wood casks.

Co-created by one of Scotland’s most awarded Master Distillers, Jim McEwan, together with Cape Byron Distillery Co-founder and distiller Eddie Brook are two new Australian takes on a classic Scottish single malt. Many readers will already know of Jim McEwan who has more than fifty years of experience in the whisky business, having worked at Bowmore for 38 years, before overseeing the rebirth of Bruichladdich and most recently helping to get new Islay distillery, Ardnahoe, off the ground. Two editions are on offer: A Chardonnay barrelled limited edition, and this, the Cape Byron 'Original', aged in Scotland's traditional vessel of choice: American oak x-Bourbon casks. Says Brook, “They go together like a match made in heaven. [The whisky is] not overly dominated by the oak, it’s letting the spirit sing, and we’re seeing this marriage.” What partly accounts for the distinctive style is that the pair have resisted the temptation to use smaller barrels to ‘accelerate’ the ageing process. It's the opposite approach of most Australian distillers. “...We’ve got this climate that gives us faster maturation. Now that’s great, but it can also get too much, you can get too much tannin and then over-oaking in your whisky, ” Brook explains. "To avoid this, we only mature in full format barrels, between 200 to 300 litres in size". Specially designed warehousing facilities further offset Byron’s temperature extremes. According to McEwan, another factor is the distillery's proximity to the coast. “Walk down the barrel room... you’re getting that marine character and influence coming through" he says. "That moisture is falling on the oak staves, and slowly but surely, there’ll be a residue of salt and eventually as the whisky moves in and out, as the temperature increases, the alcohol will expand and it will touch the salt, and pull it back, and that brings a unique marine freshness to the spirit – quite different from anything else...” No surprise that McEwan reckons fans of Bruichladdich might taste some similarities in the Cape Byron spirit. “They’re not dissimilar. There’s no peat, [Eddie’s] using American oak, I used a lot of American oak Bourbon casks as well. I’ve used wine casks – and you’ve got all the wine casks there. There’s a similarity there between what I was doing in Islay and what Eddie’s doing here." As for the taste? Can't say there are many like this - either here or abroad - but you can appreciate why McEwen draws comparisons with Bruichladdich. Cape Byron's Original is a creamy, near voluptuous malt that defies its age. Peaches and cream come through with sweet barley and shortbread on the nose. The co-mingling of dried mango and juicy malt with the Bourbon vanilla aspects is nicely done, and there's a spicy edge adding vibrancy. At the finish, more peaches and cream, dried mango and a little grilled pineapple, pepper and coastal freshness develop. It's a whisky less about overt complexity, all about generous mouthfeel and precocious flavour. No doubt that equation will change over time. Right now, the creative forces behind the project have guaranteed one of the more compelling Aussie releases in recent years. Matured for three years in 200 litre ex-Buffalo Trace Bourbon casks. 47% Alc./Vol. Non chill filtered. Batch 001 tasted. Notes from the producers... The colour of a Byron Bay sunset. The palate offers soft vanilla, creme brulee and biscotti characters, layered over distinct notes of pear, coconut and buttery macadamia.

Former Springbank Master Distiller with Scotch Industry legend, Dr. Jim Swan kick off a new chapter in Morris's 160 year history. Founded in 1859 and best known for their award-winning fortified wines, Morris of Rutherglen are now making whisky. Given the company's access to high quality barrels, it makes sense. The family hasn't cut any corners since the inception of the project in 2016. Their dream team originally consisted of Master Distiller, John McDougall, a widely-respected whisky maker with experience at Balvenie, Laphroaig and Springbank. The late Dr Jim Swan, famous for his work with STR casks at Kavalan, Kilchoman et al, was also a key consultant and worked with McDougall on honing the barrel and toasting regimes. Currently, Darren Peck (ex-Diageo) is Head Distiller having worked under the tutelage of McDougall for the last five years. At the heart of the process is a restored hybrid copper pot and column still - none other than the original installed at Morris's in the early 1930s used for producing base spirits for fortified wines. High quality barley is sourced locally. Add a private cooperage and a warm/cool day/night maturation environment combined with reasonable sell prices and Morris are setting the standard high. The first releases include a 'Signature' label and a Muscat Barrel finished malt, initially matured in a combination of French and American oak x-wine barrels. Both entries were awarded gold medals at the 2021 San Francisco World Spirits Competition (it should be noted that these were slightly higher abv variants for the US market). The recent SIP Awards in the US (May 2021) also recognised their quality, with the Signature being awarded Platinum, and the Muscat a Double Gold. For collectors, these first releases may carry some significance in years to come. For the Morris family, they mark a new chapter in a 160 year history. Tasting note: Deep topaz to brass gold. More expressive on the nose than the ‘Signature’ bottling, this adds some red berry wine character to the toasty malt, the aroma bearing a passing resemblance to lamingtons or berry tarts. Well managed wine input creates a film of sweet dried fruits over the barley, coating the mouth and extending the finish. Powdery tannins and a spicy flourish check the sugars. Rounds off with medjool dates and a mild gingery warmth. Stays with you. Nicely done. 46% Alc./Vol. Notes from the producers... COLOUR: Deep rich copper with reddish hues. NOSE: Rich with dates, figs and sweetness of dark molasses. PALATE: Well balanced and complex. Dried fig, sweet malt, vanilla and spices with creamy mouth feel. FINISH: Superb oak influence, lovely finish with satisfying after taste that lingers on the palate.

Tasting note: [20ml sample] Deep polished copper colour. Aromatically, a curious mix of roasted nuts, aniseed infused honey, ginger biscuit and a pantry full of sweet spices, in particular, vanilla, clove and cinnamon. Soft entry builds into a beautifully harmonised, light to middle-weight whisky offering delicate mince fruit pie flavours and gentle heat. Subtle vanilla and manuka honey aftertaste...Good wine vs whisky balance. More interesting with every sip. 40% Alc./Vol.

Note: New blue packaging, not old brown packaging. While the twelve year old is a relatively non-descript malt, older Glenfiddich bottlings are now gaining high praise including one award as the world's best single malt Scotch whisky. However, as a representation of the house style, the 18 year old pretty much nails it. Always a centre-piece of the portfolio, the company has further emphasised its place by redesigning the packaging to give it a more superior look than its 12- and 15-year-old stablemates. The Glenfiddich distillery lies on the river whose name it bears. 'Fiddich' refers to the fact that the river runs through a valley inhabited by deers – hence the company's logo which features a stag. A proportion of the whisky in this version of Glenfiddich is supposedly even older than the label suggests. Tasting note: Deep gold colour. Moderate aromas include honey, clove and vanilla laced malt. On the palate, dried apricots and spice are augmented by soft peat, adding depth to the toasty malt. Plush mouth feel. Clean, dried fruit and spice finish. Rich and round, in the mainstream of Sherry influenced malts. 40% Alc./Vol.

The entry level 'Distillery Select' Series sits beneath Kavalan's existing 'Solist' and 'Rare Sherry' whiskies and comes presented in a bottle shape inspired by Taiwan’s architectural pride, Taipei 101 - one of the world’s tallest skyscrapers. Each whisky in the range is created to showcase a different facet of Kavalan’s character. For this second expression, the Master Distiller emphasises floral and herbal notes.

Thirty minutes drive south from Glasgow, nestled in the heart of Ayrshire is a new independent family-owned distillery - now a rare thing in the Scotch whisky industry. Named Lochlea and distilling since 2018, their approach is small-batch, innovative and flexible without the constraints of a large corporate structure. Barley is grown on the farm and an on-site water source is employed, so there's full traceability over production. The venture recently kicked off a series of limited edition bottlings under the label, 'Sowing Edition First Crop', focusing on the growing of barley. This particular expression represents Spring when the barley seeds are sown. Matured in first-fill bourbon barrels and bottled without chill-filtration or added colour, expect a fruity whisky with notes of sweet red apples, vanilla pods, almond oil and a fresh finish. 46% Alc./Vol.