"Unquestionably one of the great malts of the year...in spite of itself". - Jim Murray Tasting note: Deep gold / brass. Muted at first; builds with a PX top note almost overwhelming the expected distillery aromas; if only momentarily. Brandy soaked raisins and dark chocolate amid flashes of sweet peat and pepper. Three to four minutes exposure draws out smouldering cedar, cigar box and hints of elastoplast, accenting fruit cake in later inspections. Terrific balance in the sweet, smokey-malt mid palate; vanilla and Christmas cake add richness to the finish. Concludes prolonged and lozenge-like with Laphroaig's trademark medicinal edge and pepperiness breaking through late, finally checked by the sherry. Big PX influence here but deftly handled - think of it as drunken Christmas pudding, Islay-style . 48% Alc./Vol. Normally travel retail exclusive. Extremely limited stocks.

Tasting note: Matured in first-fill ex-Bourbon barrels for seven years before being transferred to smaller 125 litre Quarter casks for a further two years. The process amplifies the impact of the wood. Fumey alcohol gives way to hints of dried coconut, raisin chocolate, pine needles and a vaguely cider-like fruitiness. It's a big, chewy malt with a fabulous fanning flavour rush and impressive control. Summer pudding and vanilla come through on the finish before the aftertaste ends crisp and pleasingly astringent. Delicious. 56.2% Alc./Vol. Non chill filtered.

Whilst many Australian whisky enthusiasts are familiar with the traditional sherried bottlings from Aberlour distillery, many parts of Europe are privy to its more curious variants which combine whiskies derived from both sherry and bourbon casks, varying in proportion. We have sourced a small quantity of these relatively unknown expressions just to showcase what this distillery capable of.

We secure more stocks at this special price! Expect to pay $120 to $160 elsewhere. This is the world's best whisky! Drinkstrade.com.au have reported that Redbreast 12 Year Old has won the World Whisky Trophy at the International Wine and Spirit Competition (IWSC) 2019. The competition awarded Redbreast 12 an impressive 98 points, narrowly beating world whisky competitors from Australia, South Africa, Denmark, India, Taiwan and Switzerland, among many others. The judges said: “It starts with a gorgeous nose, a fantastic composition of aromas all complementing each other. Think of roasted coffee, toffee apples, malt and warm Christmas spices. The palate is bold but very elegant with a nice balance and all in order to a great finale with dried fruits, candied oranges and sweet spices.” For decades, serious whiskey drinkers drank Irish "blended" whiskey, mixing it with cola or adding a dash to coffee. But, John Hansell, editor and publisher of Malt Advocate magazine, says that's changing. "The line between Irish whiskey and Scotch whisky has become blurred," says Hansell, since Irish whiskey companies like Bushmills and Jameson have expanded their range to include deluxe whiskies from aged blends to pure pot stills and their own brand of single malts. "The top Irish whiskeys are just as good as many single-malt scotches. It's too bad more people aren't aware of how complex some of these whiskeys have become." Here's a case in point. From Irish Distillers Ltd, Redbreast is a 'Single' unblended, pure pot still Irish whiskey made with malted and unmalted barley which has been triple distilled. Our tasting found powerful, sensuous aromatics, at first reminiscent of creaming soda then vanilla wafer and sweet cereals enter giving this a Bourbon slant. The entry is soft and light. Mid palate turns deliciously creamy with semi-sweet, toasty cereals and brandy cream sauce flavours superbly counterpointed by spicy, drying oak. Finishes crisp and dry with terrific length as the vanilla wafer biscuit again emerges followed by a late creme-caramel fade. An Irish with soul and distinctive style, this also offers a mouthfeel that’s uncommon. Its lightness of body combined with depth of flavour make for a terrific aperitif. 40% Alc./Vol.

Lindores Abbey is the officially recognised site of the first recorded distillation of Scotch whisky. It was back in 1494 that King James IV commissioned Brother John Cor at Lindores Abbey to make aqua vitae with eight bolls of malt. For more than 100 years, the preservation of the ruined abbey has fallen to Drew McKenzie-Smith and his family. Several years ago he learned of the abbey’s significance to the industry after visiting a website called Connoisseur Scotland . Further inspiration came when he was shown a copy of the late Michael Jackson’s book, ' Scotland and Its Whiskies .' In it, Jackson wrote of Lindores, “For the whisky lover it is a pilgrimage”. Following fifteen years of careful planning, construction work began on a new distillery that would not only capitalise on this whisky connection but also provide the means with which to preserve the abbey for future generations. In 2017, after five centuries of silence, the stills at Lindores Abbey began flowing again. There are actually two releases now in Australia: Lindores MCDXCIV and the MCDXCIV Commemorative First Release. They're essentially the same liquid, distinguished by a subtle notation on the label. Both come aged in a combination of ex-bourbon, ex-sherry and STR red wine barriques from Burgundy. Both are three and a half year old Lowlanders. You might expect Lindores to be on the lighter side, however it's more like a young Speysider, nicely balanced and not shy on flavour. There's even a nod to Linkwood on the nose where the aromas show surprising weight; Cream tea biscuits, pear drops, light beeswax, cocoa and citrus are echoed with impressive purity, depth and texture of the palate. A fine astringency checks the length, but it's auspicious as far as inaugural releases go - all that's needed is more time to add further layers of complexity. 46% Alc./Vol. Tasted from a 15ml sample.

"Very high quality & teasingly complex peated malt." 95 points - Jim Murray's Whisky Bible 2022 If your single malt selections are dictated by budget constraints, this will be a no brainer (so long as you don't mind a bit of peat). Conceived in 2006, Bruichladdich revived the Port Charlotte label from the Lochindaal distillery, operational between 1829 to 1929, two miles south in the town of Port Charlotte. Historical accounts from legendary British documentarian Alfred Barnard knew Lochindaal to produce only heavily peated malts, so the PC style is a replica of sorts. It started as 'PC5' with yearly follow-ups culminating in this general release 10 year old. Delivering a knock-out mix of lanolin, smouldering pine, butter menthol and vanilla cream that even the peat shy will fall for, it's superbly integrated, zesty, complex - and incredibly, at 40ppm the peat is not overbearing; Perfumed aromatics and a 50% ABV attack include Fisherman’s Friend lozenge, farmyard, dried grass and butterscotch as well as lanolin, oatmeal biscuit and chimney soot, followed by a finish that's delicately salty with dusty cocoa and hints of black tea. Both affordable and unanimously praised, it's one of those rare malts you can't fail to be impressed by. Matured predominantly in first-fill American oak casks, along with second-fill American and second-fill French wine casks, it comes bottled non chill filtered. 50% Alc./Vol. [2016 edition tasted].

Co-created by one of Scotland’s most awarded Master Distillers, Jim McEwan, together with Cape Byron Distillery Co-founder and distiller Eddie Brook are two new Australian takes on a classic Scottish single malt. Many readers will already know of Jim McEwan who has more than fifty years of experience in the whisky business, having worked at Bowmore for 38 years, before overseeing the rebirth of Bruichladdich and most recently helping to get new Islay distillery, Ardnahoe, off the ground. Two editions are on offer: A Chardonnay barrelled limited edition, and this, the Cape Byron 'Original', aged in Scotland's traditional vessel of choice: American oak x-Bourbon casks. Says Brook, “They go together like a match made in heaven. [The whisky is] not overly dominated by the oak, it’s letting the spirit sing, and we’re seeing this marriage.” What partly accounts for the distinctive style is that the pair have resisted the temptation to use smaller barrels to ‘accelerate’ the ageing process. It's the opposite approach of most Australian distillers. “...We’ve got this climate that gives us faster maturation. Now that’s great, but it can also get too much, you can get too much tannin and then over-oaking in your whisky, ” Brook explains. "To avoid this, we only mature in full format barrels, between 200 to 300 litres in size". Specially designed warehousing facilities further offset Byron’s temperature extremes. According to McEwan, another factor is the distillery's proximity to the coast. “Walk down the barrel room... you’re getting that marine character and influence coming through" he says. "That moisture is falling on the oak staves, and slowly but surely, there’ll be a residue of salt and eventually as the whisky moves in and out, as the temperature increases, the alcohol will expand and it will touch the salt, and pull it back, and that brings a unique marine freshness to the spirit – quite different from anything else...” No surprise that McEwan reckons fans of Bruichladdich might taste some similarities in the Cape Byron spirit. “They’re not dissimilar. There’s no peat, [Eddie’s] using American oak, I used a lot of American oak Bourbon casks as well. I’ve used wine casks – and you’ve got all the wine casks there. There’s a similarity there between what I was doing in Islay and what Eddie’s doing here." As for the taste? Can't say there are many like this - either here or abroad - but you can appreciate why McEwen draws comparisons with Bruichladdich. Cape Byron's Original is a creamy, near voluptuous malt that defies its age. Peaches and cream come through with sweet barley and shortbread on the nose. The co-mingling of dried mango and juicy malt with the Bourbon vanilla aspects is nicely done, and there's a spicy edge adding vibrancy. At the finish, more peaches and cream, dried mango and a little grilled pineapple, pepper and coastal freshness develop. It's a whisky less about overt complexity, all about generous mouthfeel and precocious flavour. No doubt that equation will change over time. Right now, the creative forces behind the project have guaranteed one of the more compelling Aussie releases in recent years. Matured for three years in 200 litre ex-Buffalo Trace Bourbon casks. 47% Alc./Vol. Non chill filtered. Batch 001 tasted. Notes from the producers... The colour of a Byron Bay sunset. The palate offers soft vanilla, creme brulee and biscotti characters, layered over distinct notes of pear, coconut and buttery macadamia.

Named after a peninsula on the coast of Islay, Bill Lumsden has mixed it up with this release employing a combination of casks: Pedro Ximénez, charred virgin oak and ex-bourbon. An Oa (pronounced “an oh”) will become a part of the core range joining the 10 year old, Uigeadail, and Corryvreckan. Lumsden describes the whisky as "...smoky, sweet and rounded, with unusually, grilled artichokes in the finish." Tasting note: Bright gold. As always deceptively complex, developing with sherried oak aromas, lanolin, sooty vanilla and later, dark chocolate and suggestions of smoldering green pine. Entry is assertively salty, kippery, peppery. Mid palate is oily, medium dry, offering sherried richness along with piney juniper, over-baked sponge cake, black tea and hints of smoked meats at the finish. No shortage of peat, but loses some momentum in the final stages. Non chill filtered. 46.6% Alc./Vol.

Former Springbank Master Distiller with Scotch Industry legend, Dr. Jim Swan kick off a new chapter in Morris's 160 year history. Founded in 1859 and best known for their award-winning fortified wines, Morris of Rutherglen are now making whisky. Given the company's access to high quality barrels, it makes sense. The family hasn't cut any corners since the inception of the project in 2016. Their dream team originally consisted of Master Distiller, John McDougall, a widely-respected whisky maker with experience at Balvenie, Laphroaig and Springbank. The late Dr Jim Swan, famous for his work with STR casks at Kavalan, Kilchoman et al, was also a key consultant and worked with McDougall on honing the barrel and toasting regimes. Currently, Darren Peck (ex-Diageo) is Head Distiller having worked under the tutelage of McDougall for the last five years. At the heart of the process is a restored hybrid copper pot and column still - none other than the original installed at Morris's in the early 1930s used for producing base spirits for fortified wines. High quality barley is sourced locally. Add a private cooperage and a warm/cool day/night maturation environment combined with reasonable sell prices and Morris are setting the standard high. The first releases include a 'Signature' label and a Muscat Barrel finished malt, initially matured in a combination of French and American oak x-wine barrels. Both entries were awarded gold medals at the 2021 San Francisco World Spirits Competition (it should be noted that these were slightly higher abv variants for the US market). The recent SIP Awards in the US (May 2021) also recognised their quality, with the Signature being awarded Platinum, and the Muscat a Double Gold. For collectors, these first releases may carry some significance in years to come. For the Morris family, they mark a new chapter in a 160 year history. Tasting note: Deep topaz to brass gold. More expressive on the nose than the ‘Signature’ bottling, this adds some red berry wine character to the toasty malt, the aroma bearing a passing resemblance to lamingtons or berry tarts. Well managed wine input creates a film of sweet dried fruits over the barley, coating the mouth and extending the finish. Powdery tannins and a spicy flourish check the sugars. Rounds off with medjool dates and a mild gingery warmth. Stays with you. Nicely done. 46% Alc./Vol. Notes from the producers... COLOUR: Deep rich copper with reddish hues. NOSE: Rich with dates, figs and sweetness of dark molasses. PALATE: Well balanced and complex. Dried fig, sweet malt, vanilla and spices with creamy mouth feel. FINISH: Superb oak influence, lovely finish with satisfying after taste that lingers on the palate.

Tasting note: [20ml sample] Deep polished copper colour. Aromatically, a curious mix of roasted nuts, aniseed infused honey, ginger biscuit and a pantry full of sweet spices, in particular, vanilla, clove and cinnamon. Soft entry builds into a beautifully harmonised, light to middle-weight whisky offering delicate mince fruit pie flavours and gentle heat. Subtle vanilla and manuka honey aftertaste...Good wine vs whisky balance. More interesting with every sip. 40% Alc./Vol.