Thirty minutes drive south from Glasgow, nestled in the heart of Ayrshire is a new independent family-owned distillery - now a rare thing in the Scotch whisky industry. Named Lochlea and distilling since 2018, their approach is small-batch, innovative and flexible without the constraints of a large corporate structure. Barley is grown on the farm and an on-site water source is employed, so there's full traceability over production. The venture recently kicked off a series of limited edition bottlings under the label, 'Sowing Edition First Crop', focusing on the growing of barley. This particular expression represents Spring when the barley seeds are sown. Matured in first-fill bourbon barrels and bottled without chill-filtration or added colour, expect a fruity whisky with notes of sweet red apples, vanilla pods, almond oil and a fresh finish. 46% Alc./Vol.

Lagavulin, pronounced 'Lagga-voolin' (meaning 'the hollow where the mill is') is distinctive and powerful. Once described as 'liquid bandaid' for its strong medicinal character, it is perhaps the most assertive, complex and intensely dry of all the Islay malts.The palate overwhelms like an ocean wave with powerful peaty, salty overtones that re-emerge on the finish. The taste sensation lingers long in the mouth. On a cold wet winters night, there is perhaps no finer tonic than a dram of Lagavulin.

The Dalmore story began in 1839 with Alexander Matheson who lived in the Highlands of Northern Scotland. Matheson found the rich peat and pure water sources of the Highlands to be the makings of a perfect whisky. He built a distillery in the area and produced small batches until 1886, when the Mackenzie family acquired his operation. When a member of the Mackenzie family risked his own life to save Scotland’s ruler, King Alexander III, from a charging stag, the grateful king offered a token of his appreciation by bequeathing the stag to the Mackenzie family as a symbol of valor and courage. And more than 130 years later, the stag head still appears on every bottle of The Dalmore. Today, Dalmore distillery has ten stone warehouses and eight pot-stills, several which date back to the late 1800s. Much of the distillery burned down during World War I while occupied by the U.S. Navy, but production resumed in 1922. The production process is meticulous and includes double distillations in copper pot-stills and aging in white oak and sherry wood casks.

Drawing from twelve small American Oak casks; a light engaging whisky with fragrant aromas, double distilled and non-chill filtered to retain depth of character. Colour Rich dark gold.Nose Bright fragrant aromas with hints of vanilla, honey and pears.Taste A soft mouthfeel with subtle sweet bourbon notes, vanilla, honey and green fruit.Finish A pleasant, smooth and lingering finish. The Distillery at Hangar 17Launceston Distillery produce hand-crafted, small-batch whisky. Using traditional techniques and craftsmanship, head distiller Chris Condon uses Tasmanian malted barley and pure river water to produce the finest quality single malt whisky.From grain to bottle everything happens under the roof of Hangar 17, neighbouring Launceston Airport.

"Very high quality & teasingly complex peated malt." 95 points - Jim Murray's Whisky Bible 2022 If your single malt selections are dictated by budget constraints, this will be a no brainer (so long as you don't mind a bit of peat). Conceived in 2006, Bruichladdich revived the Port Charlotte label from the Lochindaal distillery, operational between 1829 to 1929, two miles south in the town of Port Charlotte. Historical accounts from legendary British documentarian Alfred Barnard knew Lochindaal to produce only heavily peated malts, so the PC style is a replica of sorts. It started as 'PC5' with yearly follow-ups culminating in this general release 10 year old. Delivering a knock-out mix of lanolin, smouldering pine, butter menthol and vanilla cream that even the peat shy will fall for, it's superbly integrated, zesty, complex - and incredibly, at 40ppm the peat is not overbearing; Perfumed aromatics and a 50% ABV attack include Fisherman’s Friend lozenge, farmyard, dried grass and butterscotch as well as lanolin, oatmeal biscuit and chimney soot, followed by a finish that's delicately salty with dusty cocoa and hints of black tea. Both affordable and unanimously praised, it's one of those rare malts you can't fail to be impressed by. Matured predominantly in first-fill American oak casks, along with second-fill American and second-fill French wine casks, it comes bottled non chill filtered. 50% Alc./Vol. [2016 edition tasted].

"One for no age statement naysayers... Eloquent & beautiful." - whiskyadvocate.com Back in 2015, Nikka announced they were discontinuing their age statement and No Age Statement (NAS) releases for the Yoichi and Miyagikyo labels and consolidating them into two new bottlings. These whiskies have now arrived in Australia. Two NAS versions that differ slightly to the previous versions now represent the entire portfolio. It was yet another move that triggered a buying rush. Reports have it that Tokyo is now pretty much out of age statement Japanese whiskies, unless you visit bars or auction houses. Nikka's reasons for the radical new strategy are now familiar. They simply have no old stocks to sell. Decades ago, both local and world demand for Japanese malts was low, so few barrels were being laid down for extended periods. Stefan Van Eycken, writing for www.nonjatta.com explains "...there were years, at both Yoichi and Miyagikyo distillery, when the barrels laid down for maturation could be counted on the fingers of one hand. The ‘stock shortage’ is not an excuse or a PR stunt – it’s very real. Sources within Nikka have said that it is ‘likely’ that age-statement single malts will be brought back in 5 or 6 years’ time. No official statement to that effect has been made for the simple reason that doing so – in Japan – would be interpreted as a promise (which could come back to haunt them in 6 years’ time)." The dropping of age statements doesn't always translate into a drop in quality. Early reviews for both releases have been very positive. Evidently, Chief blender Tadashi Sakuma has risen to the challenge of creating a great assemblage from a restricted inventory.

"Unquestionably one of the great malts of the year...in spite of itself". - Jim Murray Tasting note: Deep gold / brass. Muted at first; builds with a PX top note almost overwhelming the expected distillery aromas; if only momentarily. Brandy soaked raisins and dark chocolate amid flashes of sweet peat and pepper. Three to four minutes exposure draws out smouldering cedar, cigar box and hints of elastoplast, accenting fruit cake in later inspections. Terrific balance in the sweet, smokey-malt mid palate; vanilla and Christmas cake add richness to the finish. Concludes prolonged and lozenge-like with Laphroaig's trademark medicinal edge and pepperiness breaking through late, finally checked by the sherry. Big PX influence here but deftly handled - think of it as drunken Christmas pudding, Islay-style . 48% Alc./Vol. Normally travel retail exclusive. Extremely limited stocks.

Whilst many Australian whisky enthusiasts are familiar with the traditional sherried bottlings from Aberlour distillery, many parts of Europe are privy to its more curious variants which combine whiskies derived from both sherry and bourbon casks, varying in proportion. We have sourced a small quantity of these relatively unknown expressions just to showcase what this distillery capable of.

Lindores Abbey is the officially recognised site of the first recorded distillation of Scotch whisky. It was back in 1494 that King James IV commissioned Brother John Cor at Lindores Abbey to make aqua vitae with eight bolls of malt. For more than 100 years, the preservation of the ruined abbey has fallen to Drew McKenzie-Smith and his family. Several years ago he learned of the abbey’s significance to the industry after visiting a website called Connoisseur Scotland . Further inspiration came when he was shown a copy of the late Michael Jackson’s book, ' Scotland and Its Whiskies .' In it, Jackson wrote of Lindores, “For the whisky lover it is a pilgrimage”. Following fifteen years of careful planning, construction work began on a new distillery that would not only capitalise on this whisky connection but also provide the means with which to preserve the abbey for future generations. In 2017, after five centuries of silence, the stills at Lindores Abbey began flowing again. There are actually two releases now in Australia: Lindores MCDXCIV and the MCDXCIV Commemorative First Release. They're essentially the same liquid, distinguished by a subtle notation on the label. Both come aged in a combination of ex-bourbon, ex-sherry and STR red wine barriques from Burgundy. Both are three and a half year old Lowlanders. You might expect Lindores to be on the lighter side, however it's more like a young Speysider, nicely balanced and not shy on flavour. There's even a nod to Linkwood on the nose where the aromas show surprising weight; Cream tea biscuits, pear drops, light beeswax, cocoa and citrus are echoed with impressive purity, depth and texture of the palate. A fine astringency checks the length, but it's auspicious as far as inaugural releases go - all that's needed is more time to add further layers of complexity. 46% Alc./Vol. Tasted from a 15ml sample.

“The elemental opposite of the sophisticated Lord of the Isles.” Perched on a wave washed, rocky headland, the Ardbeg distillery was founded in 1815 by the MacDougalls of Ardbeg. The distilleries scattered white washed buildings are reminiscent of a Dutch settlement and add to the dramatic coastal landscape. Ardbeg has had a chequered history and in recent times had been closed down for many years. Glenmorangie acquired Ardbeg in 1997 and has set about restoring the distillery to its former glory. First launched in 2003, “Uigeadail” (the loch from which all Ardbeg water flows) this cask strength, heavily peated Ardbeg is produced from a mix of bourbon casks and older sherry casks. The combination gives this whisky a velvety texture, with a sweet and smokey finish. Tasting notes: Bright gold appearance. Big, sweet sherry influenced nose offers dried apricot and marmalade scents over menthol and sweet cedar smoke. Some ripe green apple notes emerge with time in the glass. The palate is off dry with a rich, dark chocolate entry becoming heavier and fudge-like with orange chocolate, sweet cereal and the peat continually reinventing itself - at once dry and sooty, then tarry and finally kippery on the finish. Excellent balance at cask strength. Boiled lolly and spice aftertaste with a subtle spearmint fade. Latest batch tasted October 2010.