Rich and spicy. Blackberry, dark chocolate, star anise, stewed plum. Decadent forest fruits, sweet spices, fine toasty oak, fine mouth coating soft tannins.

Fruit for the 2022 Tilbury was sourced from the Lenswood Vineyard (80%) with the balance coming from the usual Piccadilly and Lobethal growers that have previously contributed to this wine. The style of the fruit from the Lenswood site is more open and generous, providing a beautiful contrast to the linear and tight nature of the Piccadilly and Lobethal material. Its fruit is from own-rooted I10v1 clone vines planted in 1989 and Bernard 76 and 95 clones planted in the early 2000s. The Lobethal site is close to 500m of elevation and has soils that are loaded with ironstone, contributing fruit with a classic flinty expression and powerful drive. The Piccadilly soils are varied, with sandstone, sandy loam and ironstone. The fruit was hand-harvested and whole-bunch pressed into French puncheons, barriques and some Stockinger vessels for fermentation (about 40% new wood this year). The wine went through full malo and had some light lees stirring over eight months maturation.

Nine Lives Stone Wall Shiraz 2021 is deep purple in hue with aromas of dark fruits, plum, blackberry, and hints of cinnamon and nutmeg spice. The palate leads with generous flavours of blackberry and satsuma plum, alongside spice, toasty oak and graphite. The palate is framed by fine silky tannins and persistent fruit length.

Shaw & Smith is a benchmark Sauvignon Blanc. This release shows ripe tropical characters with restrained grassy notes and crisp dry acidity. Delightfully fresh lively and flavoursome. Always a classic and always quick to disappear off the shelves.

The 2013 Kanta Riesling is a youthful green gold in the glass. The nose entices with notes of lemon curd, buttery pastry, honeysuckle and kaffir lime leaf, backed by lovely tertiary notes of brown lime cordial and a hint of kerosene. The palate is yielding and fleshy, but remarkably fresh for 8 years old. At first the palate yields pineapple and baked lemon pudding, well supported by gentle acidity. The time on lees and maturation in bottle means that this is a wine that has truly settled into its own skin. Kanta Riesling by Egon Müller is a unique winemaking partnership where German tradition and precision meets the premium, cool climate fruit from the Adelaide Hills. Kanta partners, Egon Müller and Michael Andrewartha are pleased to announce the ninth release from this unique, cross-cultural winemaking project. Since its inception in 2005 they have proudly watched Kanta come of age.

Red cherries and strawberries along with notes of undergrowth and preserved lemon. Bright and juicy red fruit characters with a savoury back half of earth, leather and subtle dried herbs. The palate is of medium weight with graceful, fine tannins that lend it a plush quality throughout. Grapes were handpicked, keeping individual clones separate in small open fermenters. Some whole bunch fruit was added to ferments, enhancing aromatics and structural complexity. Fermentation was initiated by indigenous yeast (wild ferment). Each clonal parcel was basket pressed and filled to seasoned French oak barrels with full solids. All barrels were kept on lees to build palate, body and complexity. They were racked and blended just prior to bottling. Stephen Georges three hectare, dry-grown, Ashton Hills vineyard lies in the Piccadilly Valley sub region of the Adelaide Hills on a ridge just below the summit of Mount Lofty. Planted in 1982, its a quality site that, thanks to the humility and integrity of its gifted farmer, has been the source of some of South Australias most intriguing cool-climate wines, and certainly its most authentic and fascinating Pinot Noir. You dont need to spend much time in the Piccadilly Valley to realise why this area was granted sub-regional statusit is totally different to the rest of the Hills. In short, its much colder and wetter. Georges Estate vineyard lies at 570 metres above sea level and the vines shudder through some of the coolest vintage conditions in the country. Meanwhile, rainfall is a whopping 1200mm a year, well over double that of the Barossa. Whether its the lifted perfumes, elegant structure and Alpine freshness of the Pinot Noirs or the icy purity of the Riesling, Piccadilly Valleys bona-fide cool-climate imprint is never far away. A healthy portion of old-vines and the vineyards south-facing aspect afford George the luxury of late harvesting that plays a significant role in the personality of these wines. Terroir is one thing, how its worked is another, and Stephen George clearly has an intuitive touch and the drive to continually evolve. Most recently this evolution has resulted in George grubbing out all varieties except for Pinot Noir, and a little bit of Riesling, focusing his Pinot Noir on four specific clones selected from a line-up of 25 that he had tested. The Ashton Hills winery is incredibly basic, with an earth floor and next to no equipment whatsoever. The Pinot fruit is destemmed via a small, customised, gentle destemmer that keeps as many whole berries as possible. The fruit is then basket pressed, and the wine is made without any sulphur additions until bottling. Some whole bunches are included, and the percentage varies according to the style of the vintage. The red wines are mostly raised in aged, neutral French hogshead barrels. Having already cemented his living-legend status amongst his peers and compiled a storied CV that includes his role at Wendouree (since the 1980s) and twenty five vintages at the helm of Ashton Hills, you could forgive this reclusive winemaker for taking his foot off the gas. Not a bit of it. Stephen George is in fact making the best wines of his career.